The pan: controls the right left pan of each rotor. The microphone bleed: controls the amount drum sound going into the horn microphones and vice versa. The input volume: controls the volume input of each speaker (this does not exist on 12 Leslies, but it's there on the 3300). So on each rotor, you can control the folowing: First of all, all of the praeters are adjustable independantly for the horn and the drum. The main purpose of the Speaker panel is to adjust the Leslie parameters. You have the choice to use any ofthe three to match the voicing and tapering values set in the voicing panel. The B3s and similar use a standard foldback the older A and BC models used a different one and the spinets don't use any. He then introduced the foldback that basically repeats the same frequencies of an octave below, giving a feeling of continuity. Since organs basically only have 91 possible frequencies, on the last drawbar, there were not enogh frequencies to cover the whole range of the keyboard, before Bs, Mr hammond just decided to just not add anything else, but this meant that the tone was abruptly changing at those points. Depending on the age of the organ and it's restoration state, that click will be more or less dark or bright, and you can control that here.
The keyclick is also a very recognizable feature of the organs, that Mr Hammond did not want. You can control its amount here and make it sound like a pure sine or greatly boost it if you want.
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The crosstalk is basically the frequencies of the nearby tonewheels that leak into the pickups plus the quality and age of the small filter after the pickup. And since it would be too easy, that reduction isn't the same depending on what notes are played, what drawbars are used, etc.Įvery hammond organ produces a background noise, most people try to remove it, but it's still a signature of the hammond organs, so you can control its amount. Hammonds are electric and the amount of volume each tonewheel outputs is limited, when you play two notes that use the same tone, you don't just get double the volume, "the loudness robbing" is an effect inherent to the hammond circuit that reduces the volume of that tonewheel depending on the number of notes that access the same tonewheel.įor similar reasons, the "voltage stealing" is another effect that also reduces the overall volume based on the number of notes played, but this time of the whole organ, not just on the tonewheels. In the prefs panel, you have a few very advanced but extremely useful features that actually make the organs sound how they sound.